![]() ![]() I’m going to let you in on an industry shortcut. So, how are you supposed to learn from these great masters when most of the subtleties of their style are just so hard to catch? Your Music T ranscription Software Solution In addition, important music elements like articulation can be easily missed as well. Notes can seem to go by too fast to hear or play along with. Now, for a lot of people actually sitting down and trying to transcribe music for the first time, it can seem like a daunting task. This is an extremely powerful concept and very enlightening. Spending your time transcribing music is one of the deepest and musically life changing things you can ever do.Īlthough, I was never fortunate enough to meet Miles Davis or Red Garland I have learned a ton from them by sitting down and figuring out the exact notes they played.įor example, after transcribing a number of Red Garland’s solos I feel like I have a much deeper understanding of what he was thinking musically. Unfortunately, these great masters have long since passed but there is still actually a way we can get “inside their minds” and learn from them.īy sitting down and actually transcribing some of the music of your favorite players you can unlock all kinds of musical discoveries! Jazz Transcription Is Great For Your Music Education ![]() ![]() Or imagine what it’d be like taking a piano for beginners class, taught by Duke Ellington What if we could study advanced jazz piano improvisation techniques with Chick Corea? 2) Sonny Rollins solos on “St.What if you could take a jazz piano lesson with Bill Evans? How about a trumpet lesson with Miles Davis? Lester’s swing and note choice are totally infectious. The Solos (in no particular order) 1) Lester Young’s Solo over Blue Lester from “The Immortal Lester Young”īlue Lester is a bluesy minor blues sort of tune with a section in major key. This is but a very short list and I’d love to see some other suggestions from other readers, so please feel free to add your own contributions in the comments section.įor some very good advice on the transcription process, visit this link. I thought it might be nice to compile a list of jazz saxophone solos that are a good launching point for students. I can still sing many of the solos I transcribed as a kid, even if I haven’t listened to the recording in years. Most importantly, make sure it’s a solo you really love, because if you’re new to this, you’re probably going to live with it for quite a while, and it might just stick with you for a lifetime too. Students should aim to find solos that are relatively simple and clear and over tunes that they know the chord changes to. You may love John Coltrane, Sonny Stitt, or Michael Brecker, but they are out of the league for most people just starting to transcribe. One of the biggest stumbling blocks that I’ve encountered with students I’ve taught and met over the years is that they often don’t know where to start with transcribing. These books can be great for improving your reading and extracting some basic vocabulary, but tempting as they are to purchase in lieu of doing your own transcriptions, they will never be as effective as actually transcribing a solo yourself. ![]() Perhaps the most famous saxophone transcription books is the Charlie Parker Omnibook, which is where many of us were told to start on our jazz quest. As I’m sure you know, there are loads of books of transcribed solos on the market. ![]()
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